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Ghost Production in Electronic Music: What It Is and Why It’s Not (Always) a Dirty Word

  • Filip
  • 4 days ago
  • 2 min read

Ghost production has long been one of dance music’s worst-kept secrets—part industry necessity, part scandal, and part artform. But what exactly is ghost production, and why does it still get people’s BPMs spiking for the wrong reasons?

Ghost Production in Electronic Music: What It Is and Why It’s Not (Always) a Dirty Word
Ghost Production in Electronic Music: What It Is and Why It’s Not (Always) a Dirty Word

So What Is Ghost Production, Really?

Ghost production is when one person creates music for another—typically a DJ or producer—who then releases it under their own name. Sometimes, it’s a full track. Other times, it’s mixing, mastering, or laying down that perfect kick pattern that magically “finishes” the track.

And yes, ghost producers are usually under contract to stay invisible.


While it might sound shady, it’s not always deceitful. Think of it like fashion: not every designer stitches their own hems. Some DJs are incredible performers and curators, but lack the time—or the DAW chops—to bang out a club weapon before festival season. That’s where ghost producers come in.


Why It Happens More Than You Think

There’s pressure to churn out constant content. Festivals. Labels. Fans. Agents. Algorithms. For big-name DJs, it’s a lot. Ghost producers help artists meet that demand and keep their brand’s sonic identity sharp, even when their schedule is pure chaos.


In some cases, producers want to stay in the background. It pays well, it’s consistent, and it saves them from the treadmill of self-promotion.


The Grey Areas of Credit

This is where it gets messy. Sometimes ghost producers are properly paid, credited, or even promoted later. Other times, they’re completely erased from the narrative. There’s no official rulebook here, just contracts and morals.


The taboo? It comes from the myth that every track should be a solo vision—that DJ X is also a bedroom genius. But if we can accept co-writers in pop and ghostwriters in rap, maybe it’s time to rethink techno’s purity test too.


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